Dancehall from slave ship to ghetto /
Taking Jamaican dancehall music as its prime example, this title reveals a complex web of cultural practices, politics, rituals, philosophies, and survival strategies that link Caribbean, African and African diasporic performance.
|Main Author:||Stanley Niaah, Sonjah, 1970-|
|Corporate Authors:||ebrary, Inc.|
Ottawa [Ont.] :
University of Ottawa Press,
African and diasporic studies
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