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Wes Anderson : why his movies matter /

Main Author: Browning, Mark, 1966-
Format: Book
Language: English
Published: Santa Barbara, Calif. : Praeger, 2011
Series: Modern filmmakers
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001 1281004
005 20110412122824.0
008 110402s2011 cau b 001 0 eng
010 |a  2010043218 
035 |a (OCoLC)ocn669750079 
040 |a DLC  |c DLC  |d BTCTA  |d YDXCP  |d BWX  |d CDX 
020 |a 9781598843521 (hard copy : alk. paper) 
020 |a 1598843524 (hard copy : alk. paper) 
020 |a 9781598843538 (ebook) 
020 |a 1598843532 (ebook) 
035 |a (OCoLC)669750079 
050 0 0 |a PN1998.3.A526  |b B76 2011 
049 |a PVUM 
100 1 |a Browning, Mark,  |d 1966- 
245 1 0 |a Wes Anderson :  |b why his movies matter /  |c Mark Browning. 
260 |a Santa Barbara, Calif. :  |b Praeger,  |c 2011. 
300 |a xiii, 190 p.  |c 23 cm. 
490 0 |a Modern filmmakers 
504 |a Includes bibliographical references and index. 
505 0 |a Take the money and run: Bottle rocket (1996) -- School daze: Rushmore (1998) -- Salinger re-loaded: The Royal Tenenbaums -- Cinema paradiso: The life aquatic with Steve Zissou -- Brief encounter or strangers on a train? The Darjeeling Limited -- Where the wild things are: Fantastic Mr. Fox (2009) -- The last picture show: cinematic influences-homage or divergence? -- The discreet charm of the bourgeoisie: Anderson's portrayal of race and class -- Man with a movie camera: Anderson's use of the frame -- The unbearable lightness of being Wes Anderson. 
590 |a April11the 
600 1 0 |a Anderson, Wes,  |d 1969-  |x Criticism and interpretation. 
994 |a 92  |b PVU 
852 0 |b MAIN  |h PN1998.3.A526  |i B76 2011