Film after film : or, what became of 21st-century cinema? /
|Main Author:||Hoberman, J.|
Brooklyn, NY :
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Table of Contents:
- A post-photographic cinema. The myth of "the myth of total cinema"
- The matrix: "a prison for your mind"
- The new realness
- Quid est veritas: the reality of unspeakable suffering
- Social network
- Postscript: total cinema redux
- A chronicle of the Bush years. 2001: after September 11
- 2002: the war on terror begins
- 2003: invading Iraq
- 2004: Bush's victory
- 2005: looking for the Muslim world
- 2006: September 11, the anniversary
- 2007: what was Iraq and where?
- 2008: the election
- Notes toward a syllabus. In praise of love (Jean-Luc Godard, 2001)
- Avalon (Mamoru Oshii, 2001)
- Avant-garde goes digital: Corpus callosum, Cotton Candy, and Razzle Dazzle
- Russian ark (Alexander Sokurov, 2002)
- Ten (Abbas Kiarostami, 2002)
- Goodbye Dragon Inn (Tsai Ming-Liang, 2002)
- Dogville (Lars Von Trier, 2003)
- The world (Jia Zhangke, 2004)
- Battle in heaven (Carlos Reygadas, 2005)
- The death of Mr. Lazarescu (Cristi Puiu, 2005)
- Day night day night (Julia Loktev, 2006)
- Southland tales (Richard Kelly, 2006)
- Inland empire (David Lynch, 2006)
- Between darkness and light (after William Blake) (Douglas Gordon, 1997/2006)
- LOL (Joe Swanberg, 2006)
- Flight of the red balloon (Hou Hsiao-Hsien, 2007)
- Hunger (Steve McQueen, 2008)
- Opening ceremonies, Beijing Olympics (August 8, 2008)
- Carlos (Olivier Assayas, 2010)
- The strange case of Angelica (Manoel de Oliveira, 2010)
- Once upon a time in Anatolia (Nuri Bilge Ceylan, 2011).