Review by Booklist Review
*Starred Review* When Nick Dunne's beautiful and clever wife, Amy, goes missing on their fifth wedding anniversary, the media descend on the Dunnes' Missouri McMansion with all the fury of a Dateline episode. And Nick stumbles badly, for, as it turns out, he has plenty to hide, and under the pressure of police questioning and media scrutiny, he tells one lie after another. Juxtaposed with Nick's first-person narration of events are excerpts from Amy's diary, which completely contradict Nick's story and depict a woman who is afraid of her husband, has recently found out she's pregnant, and had been looking to buy a gun for protection. In addition, Amy is famous as the model for her parents' long-running and beloved children's series, Amazing Amy. But what looks like a straighforward case of a husband killing his wife to free himself from a bad marriage morphs into something entirely different in Flynn's hands. As evidenced by her previous work (Sharp Objects, 2006, and Dark Places, 2009), she possesses a disturbing worldview, one considerably amped up by her twisted sense of humor. Both a compelling thriller and a searing portrait of marriage, this could well be Flynn's breakout novel. It contains so many twists and turns that the outcome is impossible to predict.--Wilkinson, Joanne Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
There's the evil you can see coming-and then there's Amy Elliott. Superficially, this privileged Gotham golden girl, inspiration for her psychologist-parents' bestselling series of children's books, couldn't be further from the disturbingly damaged women of Edgar-finalist Flynn's first two books, Sharp Objects and Dark Places. But as Amy's husband, Nick Dunne, starts to realize after she disappears from their rented mansion in his Missouri hometown on their fifth anniversary-and he becomes the prime suspect in her presumed murder-underestimating Amy's sick genius and twisted gamesmanship could prove fatal. Then again, charmer Nick may not be quite the corn-fed innocent he initially appears. Flynn masterfully lets this tale of a marriage gone toxically wrong gradually emerge through alternating accounts by Nick and Amy, both unreliable narrators in their own ways. The reader comes to discover their layers of deceit through a process similar to that at work in the imploding relationship. Compulsively readable, creepily unforgettable, this is a must read for any fan of bad girls and good writing. Agent: Stephanie Rostan, Levine Greenberg. (June) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
With her third novel (after the acclaimed Sharp Objects and Dark Places), Flynn cements her place among that elite group of mystery/thriller writers who unfailingly deliver the goods. On the day of her fifth wedding anniversary, Amy Dunne vanishes from her home under suspicious circumstances. Through a narrative that alternates between Amy's diary entries and her husband Nick's real-time experiences in the aftermath of her disappearance, the complicated relationship that was their marriage unfolds, leaving the reader with a growing list of scenarios, suspects, and motives to consider. Meanwhile, the police, the press, and the public focus intently on Nick, the journalist-turned-bar owner who uprooted Amy from her comfortable New York life to return to his Missouri hometown. VERDICT Once again Flynn has written an intelligent, gripping tour de force, mixing a riveting plot and psychological intrigue with a compelling prose style that unobtrusively yet forcefully carries the reader from page to page. [See Prepub Alert, 12/19/11.]-Nancy McNicol, Hamden P.L., CT (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A perfect wife's disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death. Even after they lost their jobs as magazine writers and he uprooted her from New York and spirited her off to his childhood home in North Carthage, Mo., where his ailing parents suddenly needed him at their side, Nick Dunne still acted as if everything were fine between him and his wife, Amy. His sister Margo, who'd gone partners with him on a local bar, never suspected that the marriage was fraying, and certainly never knew that Nick, who'd buried his mother and largely ducked his responsibilities to his father, stricken with Alzheimer's, had taken one of his graduate students as a mistress. That's because Nick and Amy were both so good at playing Mr. and Ms. Right for their audience. But that all changes the morning of their fifth anniversary when Amy vanishes with every indication of foul play. Partly because the evidence against him looks so bleak, partly because he's so bad at communicating grief, partly because he doesn't feel all that grief-stricken to begin with, the tide begins to turn against Nick. Neighbors who'd been eager to join the police in the search for Amy begin to gossip about him. Female talk-show hosts inveigh against him. The questions from Detective Rhonda Boney and Detective Jim Gilpin get sharper and sharper. Even Nick has to acknowledge that he hasn't come close to being the husband he liked to think he was. But does that mean he deserves to get tagged as his wife's killer? Interspersing the mystery of Amy's disappearance with flashbacks from her diary, Flynn (Dark Places, 2009, etc.) shows the marriage lumbering toward collapse--and prepares the first of several foreseeable but highly effective twists. One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling.]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.