Review by Booklist Review
Introductory comments and appropriately atmospheric paintings enhance this handsomely packaged collection of five of Poe's unsettling short stories--The Fall of the House of Usher, The Masque of the Red Death, The Tell-Tale Heart, The Cask of Amontillado, and The Oval Portrait. A biographical essay discussing Poe's pervasive themes and his significant influence on both sf and mystery writing opens the way to the tales, each of which is prefaced by a summary and questions for readers to ponder. As Poe's language is difficult even for practiced modern readers, the editor also provides glosses for unusual words and literary references within the narratives. The illustrations, featuring indistinct, thickly brushed figures placed against shadowed backgrounds, add effective notes of eeriness, terror, and dejection to this introduction to a great and troubled writer. Another well-appointed volume in the ongoing Stories for Young People series. --John Peters Copyright 2006 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Following its treatment of Robert Frost and Emily Dickinson, Sterling adds two more titles on American masters to the Poetry for Young People series: Carl Sandburg, edited by Frances Schoonmaker Bolin, illustrated by Steven Arcella, and Edgar Allan Poe, edited by Brod Bagert, illustrated by Carolynn Cobleigh. Each poem is accompanied by definitions of difficult words ($14.95 each, 48p, ages 7-up ISBN 0-8069-0818-1; -0820-3 May). (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 6 Up-Poe's writing is as effectively horrific today as it was in the mid-1800s, and this volume features five relentless favorites: "The Fall of the House of Usher," "The Masque of the Red Death," "The Tell-Tale Heart," "The Cask of Amontillado," and "The Oval Portrait." The book offers a succinct analysis at the beginning of each story, making students' literary comprehension and emotional apprehension complete. Definitions or synonyms are provided for Poe's challenging vocabulary at the bottom of the pages of the tales; instructional use for vocabulary building is a natural. DuBois' paintings reflect a teetering place between the real and the nightmare-his technique combines folk art and Postimpressionism. "The Masque of the Red Death" is the story to revisit with today's teens. The brazen audacity of a prince who thinks that he can escape the insidious claim of infectious disease and plague is a creepy precursor to the mysteries of today's fight against these invisible attacks. This book is ripe with opportunities to discuss literature, art, science, and psychology.-Alison Follos, North Country School, Lake Placid, NY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
Four well-known Poe tales, along with the lesser-known ""The Oval Portrait,"" make up this volume. After presenting general biographical information, Delbanco briefly introduces each story. A mini-glossary is included on every page, which, although helpful, is also visually distracting in this otherwise thoughtfully designed volume. DuBois's eerie, muted, murky illustrations adroitly capture the sinister atmosphere conjured by Poe's stories. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
(c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
An ambitious but not completely successful entry in the Poetry for Young People series (see Bolin, below). The format is admirable: a handsome sampler of poems, with a short introductory essay, unfamiliar words briefly defined in footnotes, and a few prefatory sentences for each poem to establish context and aid interpretation. Fittingly, 13 of Poe's more accessible poems appear here, including ``The Raven,'' ``The Bells,'' ``Eldorado,'' and ``Annabel Lee.'' The volume concludes with passages from short stories, laid out in lines like verse; they highlight Poe's mastery of prose, but, without context, are not otherwise particularly meaningful. A larger concern is the less-than-meticulous presentation of the poems. Readers confronting Poe's unfamiliar diction need all the help they can get; inaccurately reproduced are word choices, order, line layout, punctuation, etc. Bagert does not indicate which standard edition he usedthere may not be onebut even a variorum (ed. by Floyd Stovall, 1965) did not support some questionable usages. In her first book, Cobleigh provides atmospheric art: an arresting picture of ``The Raven,'' a cadaverous ghoul in ``The Bells,'' and a depiction of the narrator of ``The Tell-Tale Heart'' as a deranged Wee Willy Winky. (index) (Poetry. 10+)
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